Michael's Fáilte

Welcome to these writing warmups, blatherings, rantings, meditations, perorations, salutations, latest and those on time, those narrative, declarative, interrogative, gollywogative and other outdated, belated, simulated musings, perusings, shavings and other close calls, with no disrespect intended, that's why no real names included whenever impossible to avoid the guilt that came in the crib for uttering something that would hurt or injure those in authority, being of everlasting servitude to all and sundry, having chosen the road not taken and the frost on the pumpkin long before the kettle turned black or the cat found its own tail fascinating,
Your humble servant, etc.

The island writes in fire and steam each morning on the pages of the sea

The island writes in fire and steam each morning on the pages of the sea
Lava Meets Ocean. Lynx, Starboard Side. Day 2.Early Morning, July 8 2006, Looking for Flashes off Chain of Craters, Big Island

Tuesday, April 26, 2011

Trash Mermaid


Trash Mermaid

On the beach this
morning's murder
of crows. Rocking
their black numbers

where froth and turbulence
reveals food
wearing shells
crustacean clues

perhaps their group
deception is no crime
merely passion for
misleading information

picked-through
candy wrappers
and other trickery
of human rubbish

bottle tops entire mermaids
objet trouvé washed ashore
in the beachcomber tradition

pre-assemblage.
Last seen hanging
on a wall in 
Breakers Café.

Friday, April 22, 2011

La Velita


LA VELITA NARANJITO

Her name was La Velita Rosalita Carmelita Celestina Naranjito and she was hand-picked to go far in this world. It could have been different. Nestled there in her dark leafy green bower, a beautiful cluster of white blossoms highlighting La Velita's graceful proportions, she watched with trembling apprehension the day the great shaking took her sisters and brothers from her life. That was the day people still call The Great Fall.

A shapely creature, La Velita seemed to draw the warmth and glow of sunlight to her without pretense. She was not given to fluttering her eyelashes like some young things from even warmer climes. Yes, in La Velita, all the romance, legend and beauty of Old California were still alive. The people looked at her and knew that the blood that flowed through her veins ran fresh and full of promise. Anyone could see she was without blemish, almost. After all, which one of us can say they have reached their best years without a scrape? Without a tumble?

One faint scar, only one faint shadow and that seen only by the very worst mannered busy-bodies who squinted from behind their faded J.C. Penney's machine-washable curtains. Apart from that, La Velita might have a little beauty mark in an unexpected part of her anatomy, but who's keeping track of these things? Who is the judge in these matters? Is this our right, to be staring at others, looking for little imperfections? What's the world coming to? It wasn't this way in our grandparents' day, I can tell you that! No! In those days, it was the whole person that mattered.

It was the whole of La Velita who stood proudly before the bespectacled man with a mostly white-haired goatee. Of course, she had learned to stand like that, to present a fearless picture of herself to the world. But it was a performance. She was in fact a little uncertain and more than a little afraid. What was he doing? Taking notes? Drawing? Look at him! Now he chooses a red pencil. Now a blue. Now a green. What is he doing? She stood stock still, petrified.

For what it was worth, Miguel Diablo liked to keep meticulous records of his food. That's right! He was going to eat poor La Velita. Where is this story going, you may well wonder. The next thing you know, Miguel's incisors will begin to show themselves like Swiss Army pocket knives from beneath his upper lip. Admittedly, he is twisting his mouth somewhat as he draws and writes. Perhaps he's seen her beauty mark. Or maybe he's seen that faint scar. Is he wondering how that happened? Is he thinking to himself, this is a story standing before me, a story waiting to be told.

Once upon a time, there was a rustling in the house, the top rungs of a ladder being thrust into the leaves and branches. Was anyone awake who would hear? Only La Velita, poor abandoned La Velita, the day after The Fall. No brothers and sisters. No mother and father. Grandfathers and grandmothers long since in the ground. She was alone. And now she feared for her life.

Suddenly she was twisted awake but she couldn't speak or scream. Not a sound from her. Quickly the darkness enclosed her, the soft folds of burlap sacking, the smells of the field, the granary, the sweat of hard labor. Bumping down the tall ladder, bumping against something with a pleasant voice, bumping over the country roads, bumping from sunrise to sunset. Long hours she lay there. At first there was the crazy rolling around but there was no way out in that claustrophobic softness. And then quiet. A guitar. The crackling of twigs in the early life of a fire set in a circle of stones. A song bird settling down in nearby branches. The sound of surf and the tumble of smooth stones at the edge of the sea. Where was she? What was happening?

How can this story end without blood being shed? That is what you are asking, isn't it? Let's see, the young man playing the guitar is taken by surprise by the farmer and skedaddles, leaving poor hapless La Velita there in the scrub-grass and mesquite perimeter where the light from a hastily built fire is subsumed by endless night. Next morning Old Blue, that flea-bitten mongrel who fell out of a beat up '53 Chevy pickup truck with wraparound windows, comes sniffing around the smoldering fire pit. Can you imagine? That cracked nose that used to be shiny and wet, now poking around the sack that holds our precious La Velita? Sniffing and pushing, that big hungry nose pushed past its desire for a discarded piece of filet mignon steak specially wrapped up in a doggy bag by the local diner, to find our heroine, cowering. How the vehicle of abduction becomes a sanctuary! And now that sanctuary broken open by a four-legged question mark in the next chapter of La Velita's convoluted story.

Gingerly, Old Blue caught ahold of La Velita, careful not to bite down too hard. He didn't know the what or why of his actions but the next thing you know, he set off down the dusty road. It was a fine spring day, with a kind of spooky stillness and no sign of rain. In the distance could be heard the big trucks signing their weight in tire tracks down the long north-south west coast highway. No place for a rambling homeless dog like Old Blue. He stuck to the back roads and byways.

Imagine the sight of Old Blue delicately conveying a brightness named La Velita along the weedy margins of the world. Imagine the delight of the runaway girl called Cordelia. Three days on the road, in the fields, hiding out in the woods, fording creeks, sleeping in abandoned sheep sheds, all to get away from her angry, out-of-control stepfather. All the pain and hurt of those months spent enduring his abuse fell away when Cordelia caught sight of La Velita. The girl crouched low so as not to scare off Old Blue and made little clicking sounds and held out her hand. The dog stopped. La Velita looked like a little sun on the end of his dried up nose. With a better look at Old Blue, Cordelia got a better idea. Water. She slowly and carefully reached down and found the plastic water bottle and said outloud, "water, dog, here's some water for you, come on, boy, here's some water, c'mon boy, want some water?"

Now Old Blue knew a well-mannered girl when he saw one, so he went right up to Cordelia to see what she was on about. The closer he got, the more he could smell the life-giving water. Who knows why all the creek beds and usual puddles were dry, but the stuff was scarce, Old Blue knew it in his bones. He got within a tail's length of the girl and saw clearly she was going to share that water. Down went La Velita, out shot the girl's hand, and thus began the next chapter in what was becoming a very long-winded story.

Old Blue and Cordelia made a natural partnership, one for which the dog was quite happy to surrender that small bit of sunshine he'd been carrying so far. In return, the girl stepped up her search for food and water, sharing everything with her new companion.

Now it's a known biological and botanical fact that La Velita's lifespan was far shorter than this story. Cordelia knew this but for some reason known only to a higher muse, she took good care of Old Blue's present, treating La Velita like a precious friend, a jewel, a keepsake, a good luck charm. Besides, it gave Cordelia an idea.

Across the tracks, watch out for the 12:19! Over the far ridge. Yikes, a snake! Lucky. He just had a mouse for breakfast. See the lump right there in that long colored rope of a body? Through the pecan orchard. Hey! Old Blue recognized that pit bull. See how their tails are wagging. Good thing, too. Behind that rusted out abandoned school bus. Under the big water tank. Down the dried up creek bed. Tiptoe past the old lady's washing line waving its faded denim jeans, red bandanas and more underwear and socks than Cordelia had ever seen in her life. Stumble across the stony corn field and whoa! Look at that! A rice field, kind of wet. Endless citrus orchards...Old Blue, come on! I know where we are now!

Until...until the unlikely threesome turned a corner round a handsome cedar barn and found Cordelia's uncle's house, hideaway of the infamous Miguel Diablo Naranjito. Here she knew they would be safe.

She remembered the family stories about her uncle. Once a great revolutionary hero, long since disappeared from the public eye, all he ever wanted to do with his days was read, write, draw pictures and sleep. A good place, dear reader, to leave you, as the sun goes down in this part of the world, where water is still scarce, but love can still be found.


Sunday, April 10, 2011

Freedom

Does it ring? Maybe later in life
right inside deep in the inner
ear where you know this
is a very personal journey
all a-buzz at the late stages
and before? before that?
I don't know. Voices mumbling
in coffee shops between
the clinking of forks and
hissing of Gaggia machines
the rustling of old news in print
and the breaking of oil in the bean
as it's ground up yes into dust
and the air is filled with that
evocative revolutionary odor
and rumors of fire at the knees
money changing hands and more
voices who know what everyone
really wants their simple needs
their double shots and single
shot lattés hardly ringing out
perhaps a gentle singing in the heart
that's all it is and children
counting out the syllables with care
and neglectful supervision and
lines lines of people waiting
in that new morning smiling
or not all depending which side
of the bed they were on when
they left

This is a reminder

This is a reminder that on this day in that year
we all remember we did the unforgettable
a thing seared into our collective memories
like a blacksmith's mistake like rare
blue fin tuna over Mediterranean salad
without the olives a dark day a question
mark at the end of the jet stream that
embroiders our planet a day when all
wasn't enough to stop a catastrophe
when we stopped asking each other
are you okay? and the blame subsided
in the soil and the ground retreated
beneath our feet forbidden ground
forsaken wellspring all in the name
of accident risk assessment a child
would want a different version
of this history say for example once
upon a time and a big bad wolf and
three variables each tested with only
one correct answer and everyone
reunited in the end oh yes the end
we need reminding reconfiguring
reprogramming rewriting and
of course restructuring thank goodness
yes our resilience is our brilliance
and adaptability a wonderful thing
did I say wonder did I just imagine
the concept of delight forgive me
now I promise to calm down
pay my respects to the loss of it
all to the one pain greater than all
the pain to the last time we reminded
each other and the sweet bye
and bye between

Sunday, March 27, 2011

On the Fault Line

Why is it we forgive the land
and not each other? Entire
countries shoved over several
feet and we call such disaster
natural and blame people

elected or hired to build say
nuclear reactors call them
irresponsible shame them
make them bow before the flag
as if that slack rectangle

drooping on the pole were their
superior and they're the ones
who couldn't rise to the occasion
and save the nation not quite
the same as one hundred

forty two thousand
square miles of land that
commits instant subduction
a nose dive so big and loud
it cracks the pavement

all the houses courts castles
and institutions sends a
jolt right through the world
splash crash words aren't big enough
changing everything especially

the routines of everyone
who didn't know till yesterday
they went to work and school and play
where all the action now isn't

the epicenter

the zone the radius
the evacuation and contamination
and probably no cherry blossom
parade this spring only cleaning
and TV reporters asking how

do you feel could you stand
a little closer to the rubble please
what's that you say? you're offering
the multi-millionaire host of reality
a crust of campfire cooked something

so easily we forgive the land
and not the brother sister mother
father uncle aunt and all those
grandfathers who say it's too late
to start anew it's not their fault

or was it? did they get us into
the mess before it happened

living on the fault line

Thursday, March 17, 2011

The Last Blank Book at Borders

Now in plexiglass like the Aztec skull

those crystalline nebulae spinning

in frozen suspended cranial reaches

atop a plinth in the Museum of Man

just off Piccadilly Street in the

Burlington Arcade now the journey

of pulp pressed against the screen

and pushed through the bleach to the

day's beginnings in the wide margins

of the writer's mind before breakfast

here exhibited finally as one bound up

abducted from the Silk Road interconnections

en route to Charlemagne's court at Christmas

those disappointed horrified monks who

so assiduously crushed lapis for a blue mood

on the backs of Cooley's cattle dismayed

now the chance will never be given again

the pages of history fluttering before them

like endless autumn can you hear them

laughing their holy laughter now

as the willing page is free no more

the blank fibers that displaced monks' vellum

and before that the neolithic carvings

and thumb-framed etchings that pictured

the sublime mind hungry for more

than meat or fruit just to say

the word blank was an achievement

now here the achievements encased

and labeled with the digital bells

ringing out from their silicon miniatures

pathways to a future already here

Saturday, March 12, 2011

As one should sue a star

"As one should sue a star"—first line from Emily Dickinson

As one should sue a star
the air is liable when gray
and oceans absolutely wrong
when waves turn rogue and break the day

Night, too, can be so fickle, therefore
punishable by battery-operated light
But worse, delinquent rain that sulks
in passing clouds and will not fall